#On a clear day the peddlers series
#On a clear day the peddlers free

Mark finds himself falling for 'Melinda' and becomes convinced that Daisy is really the reincarnation of Melinda. Melinda and Edward eventually marry, but the painter is unfaithful to her, making love to his subjects.

Mark keeps to himself what Daisy has revealed to him, and he tells her that she should not be ashamed of her ESP.Īt their next session, Daisy, under hypnosis, relates scenes from the salacious London Hellrakers' Club where Melinda met Edward.

#On a clear day the peddlers free

Free spirited Melinda was in love with portrait painter Edward Moncrief. When he hypnotizes her, she describes living a previous life in late 18th century England as 'Melinda Wells', who died in her late twenties from circumstances beyond her control. Her current problem, though, is her nasty smoking habit, which will interfere with the chances of her fiancé, Warren, for a job with great benefits. Quirky Daisy Gamble sees herself as an unremarkable person and has low self-esteem, even though she can (1) make plants grow remarkably, (2) predict when a telephone will ring or someone will drop in, and (3) tell where to find an object that someone else is looking for. Porchlight Music Theatre presented this show as a part of their 'Porchlight Revisits' season where they stage three forgotten musicals per year. The production was directed by Artistic Director and Founder, Ed Decker, with music direction by Matthew Lee Cannon, choreography by Jayne Zaban and featuring new instrumental arrangements by Ben Prince. The 2011 revised Broadway version was revived at The New Conservatory Theater Center in San Francisco, California starring Chris Morell as David Gamble, Melissa O'Keefe as Melinda Wells, and popular local actor William Giammona as Dr. The production was directed by Kirk Jameson and opened to rave reviews with the run ending on 28 September 2013.

On A Clear Day You Can See Forever was revived at the Union Theatre in London starring Vicki Lee Taylor as Daisy Gamble and Nadeem Crowe as Dr. The Vassar concert mixed 'material from the stage and film versions and eliminates overstuffed 1960s-style production numbers.' This production closed on January 29, 2012, after 29 previews and 57 performances. The patient is now a gay florist David (Turner) who was a female jazz singer Melinda (Mueller) in a former life, and who falls in love with his psychiatrist, widower Dr. The revised version, which had a developmental workshop at The Vineyard Theatre in the fall of 2009 and had readings in August 2010 at the Powerhouse Theater at Vassar College, departed from the plot of the original. The cast included Jessie Mueller as Melinda and David Turner as David Gamble.

James Theatre and opened on December 11, 2011, directed by Michael Mayer and with a new book by Peter Parnell. The show premiered in London in 2000 at the Bridewell Theatre.Ī revised Broadway production began previews on November 12, 2011, at the St.

#On a clear day the peddlers series

In February 2000, the New York City Center Encores! series presented a staged concert starring Kristin Chenoweth as Daisy/Melinda and Peter Friedman as Dr. Ī 1970 film adaptation directed by Vincente Minnelli starred Barbra Streisand, Yves Montand, Bob Newhart and Jack Nicholson. But it did have lushly melodic score.' Tours followed, starring such diverse actress-singers as Tammy Grimes, Linda Lavin, and Nancy Dussault as Daisy/Melinda. Ben Brantley of the New York Times recalled: 'Its book was strained and muddled, most critics agreed its big production numbers were simply cumbersome. Scenic design was by Oliver Smith and costume design was by Freddy Wittop. Louis Jourdan was the original leading man when the show had its tryout at the Colonial Theatre in Boston but was replaced by Cullum before it reached Broadway. Mark Bruckner, Clifford David as Edward Moncrief, Titos Vandis as Themistocles Kriakos, and William Daniels (Harris's co-star in A Thousand Clowns) as Warren Smith. The production was directed by Robert Lewis, choreographed by Herbert Ross, and starred Barbara Harris as Daisy Gamble/Melinda, John Cullum as Dr. The Broadway production opened at the Mark Hellinger Theatre on October 17, 1965, and closed on June 11, 1966, after 280 performances and 3 previews.